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and The Rocky Horror Show |
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and The Rocky Horror Show |
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The Kenneth More Theatre originated the legendary 1980s “Rocky Horror Show” tour. First produced at the KMT in 1983, it became a joint KMT/Theatre Royal Hanley undertaking in 1984, and then from 1985 – 1988 ran under the Hanley banner with the KMT controlling the artistic input.
In 1989 the production undertook a five-month European tour, with Panda Productions of Düsseldorf. This European tour was not a happy experience because of disputes with the German management company.
Overall the legendary production played:
170 weeks in the UK
16 weeks in Europe
3 weeks in Israel
89 different theatres in the UK
11 different theatres in Europe
3 different theatres in Israel
In 1990 the German company continued with a “rogue” tour in Europe. This was improperly passing itself off as being directed by the original KMT team. Panda Productions got away with its unauthorised (and ultimately illegal) performances until the show finally collapsed in bankruptcy in Paris at the end of 1990.
The KMT’s first ever involvement with RHS was in March 1983, when it staged a two-week run at the Kenneth More.
The cast consisted of:
Narrator - Vivyan Ellacott
Frank’n’Furter - Jeffrey Longmore
Riff-Raff - Neil Merryweather
Brad Majors - Owen Whittaker
Janet Weiss - Shealagh Dennis
Rocky Horror - Simon Hayward
Magenta - Elisa Tebith
Columbia - Loraine Porter
Eddie/Dr Scott - Jeff Pirie
Ghouls - Mark Bajer, Marc Irwin, Sandy McLauchlan
The musical director was Laurence Payne
Choreography: Loraine Porter
Lighting and Sound Design: Andrew Stone
Costume Design: Nigel Ellacott & Margaret Brice
This production was revived a year later (May 7th, 1984) for one week at the Theatre Royal Hanley. The Hanley theatre had only recently started staging live shows again after nearly twenty years as a venue for bingo. Its manager was Paul Barnard. The backstage areas were very tatty, and the technical equipment very poor, but there was an enthusiasm to restore the venue. The KMT’s revived production saw a few cast changes from the original:
MAY 1984
Narrator - Vivyan Ellacott
Frank’n’Furter - Jeffrey Longmore
Riff-Raff - Matthew Ryan
Brad Majors - Stephen Fischer
Janet Weiss - Sally Ann Triplett
Rocky Horror - Stephen J Dean
Magenta - Elisa Tebith
Columbia - Loraine Porter
Eddie/Dr Scott - Jeff Pirie
Ghouls - Mark Bajer, Shaun Doherty, Andrew Ryan
The production team remained the same.
This “Rocky” did amazingly good business at the Hanley Theatre. Paul Barnard was delighted, and re-booked “Rocky” to play a further two weeks in October, with some possible weeks at other theatres to follow.
The KMT was not interested in undertaking the management of a tour, but was happy to take charge of the artistic and staging side. So the Theatre Royal Hanley (Paul Barnard) became the official management presenting the Kenneth More Theatre’s production of RHS. Vivyan Ellacott (as Director) still held artistic control, but the financial control and tour management now passed to the Theatre Royal.
Six months later – in October/November - the third outing of the KMT’s “Rocky” saw a few more cast changes:
Narrator - Peter Beadle (later: Antony Mayne)
Frank’n’Furter - Jeffrey Longmore
Riff-Raff - Christopher Channing
Brad Majors - Christopher Marlowe
Janet Weiss - Julia Howson
Rocky Horror - Stephen J Dean
Magenta - Caroline Read
Columbia - Alison Ruffelle
Eddie/Dr Scott - Jeff Pirie
The musical director was now Malcolm Sircom – otherwise the production team remained the original group from the Kenneth More Theatre.
After a two week run at Hanley, the cast re-assembled a month later. Peter Beadle was not available (he had been offered a Scandinavian tour of “The Mousetrap”) so the role of the narrator was taken by Antony Mayne. This cast played two days at Hanley and a week each at:
Birmingham, Alexandra Theatre
Glasgow, Pavilion Theatre.
Paul Barnard now made plans to launch “Rocky” on a major tour to start at the Playhouse Theatre, Edinburgh on 9th February 1985.
1985 : THE MAJOR TOUR BEGINS
At the beginning of the 1980s one or two tours of RHS had been staged, but they had not been especially long-running. Nobody was prepared to guess how long the KMT/Hanley tour might run.
Many UK theatres were adopting a “wait and see” policy – “Let’s see how it sells over the first few weeks, and then we might book it. . .”.
Accordingly no one knew whether to ask for the touring rights for six weeks or six months! A contract was drawn up and Richard O’Brien and the Samuel French Agency granted Hanley the exclusive UK touring rights for the remaining ten months of 1985.
Eventually the 1985 tour played 39 weeks. Generally each member of the cast was contracted for a three-month period, so there were several cast changes throughout the year as performers moved on. Performers in 1985 included:
Narrator Antony Mayne
Ian Gardiner
Frank’n’Furter Richard Kates
David Dale
Riff-Raff Keith Burns
Paul Kerryson
Brad Majors Christopher Marlowe
Janet Weiss Andrea Lynne Milton
Samantha O’Brien
Grainee Renihan
Rocky Horror Philip Fry
Mark Hadigan
Bryan Lawrence
Magenta Judith Eyre
Columbia Deirdre Forrest
Eddie/Dr Scott Barry McKenna
Desmond Barritt
James Head
Ghouls Graham Mulvein, Mark Vince, Charlotte Seago
The Musical Director was Malcolm Sircom.
The Stage Management team was Graham Mulvein, Mark Vince and Charlotte Seago.
The sound operator was Simon King.
Theatres played in 1985 were:
EDINBURGH, Playhouse
GLASGOW, Pavilion
ABERDEEN, Capital
BIRMINGHAM, Alexandra
SOUTHPORT, Theatre
HULL, New
STOCKPORT, Davenport
LEEDS, City Varieties
HANLEY, Theatre Royal
OXFORD, Apollo
SUNDERLAND, Empire
WIMBLEDON, Theatre
COVENTRY, Apollo
STIRLING, McRobert Centre
BLACKPOOL, Grand
LIVERPOOL, Royal Court
SOUTHAMPTON, Nuffield
BRISTOL, Hippodrome
WOLVERHAMPTON, Grand
NORWICH, Theatre Royal
POOLE, Arts Centre
LINCOLN, Theatre Royal
SHEFFIELD, Crucible (2 weeks)
NORTHAMPTON, Derngate
BATH, Theatre Royal
WIMBLEDON, Theatre
NOTTINGHAM, Theatre Royal
GLASGOW, Pavilion
BOURNEMOUTH, Playhouse
BASILDON, Towngate
STOCKPORT, Davenport
BLACKPOOL, Grand Theatre
HAYES, Beck
SOUTHSEA, King’s
HANLEY, Theatre Royal
GLASGOW, Pavilion
MANCHESTER, Palace
BIRMINGHAM, Hippodrome
The surprising feature of this tour was the number of return visits played. And, each time “Rocky” returned to a venue it increased its previous attendance figures. The show had established itself as the second most successful touring production of 1985 (second to “Joseph and His Amazing Technicolor Dreamcoat”).
THE 1986 TOUR
A new tour was proposed for 1986. Again it was not known how long the tour would run – this would depend on the number of theatres that would take a return visit from RHS. A new touring contract was drawn up : The KMT/Hanley production would continue to have exclusive UK touring rights for the foreseeable future – but if at any point there was a gap of four consecutive weeks with no performances, the rights would be withdrawn.
The 1986 tour opened at Hanley on 1st February 1986. The KMT Team had expressed concern that “Rocky” – originally intended as a “small” show with just nine characters and one set – was now playing some of the largest theatres in the country. They felt the show was sometimes dwarfed by its surroundings. It needed to expand in style to fill some of these bigger stages.
A new set was created and – most significantly of all – a lot of money was invested in lasers. The show was now “big”, with big effects. It was now more like a rock concert than a “studio” show. This was a “new look” Rocky.
Performers during 1986:
Narrator Peter Thorne
John North
Frank’n’Furter Bobby Crush
Cameron Stuart
Jonathan Kiley
Bobby Bannerman
Riff-Raff Kinny Gardner
Paul Critchlow
Brad Majors Christopher Marlowe
Graeme Smith
Janet Weiss Karyn O’Neill
Jayne Moore
Julia Howson
Rocky Horror David Ian
Jean Paul Orr
Magenta Elisa Tebith
Adeen Fogle
Daliah Wood
Columbia Julie Faye
Eddie Simon Fox
Andrew Ryan
Dr Scott Mark Turnbull
Patrick French
Ghouls Andrew Ryan, Jo-Anne Lee
Robert Bicknell, Lorinda King
Marc Seymour
Musical Director: Malcolm Sircom
Noel Stevens
For the 1986 tour the Stage Management team comprised Sarah Bourne, Stage Manager; and Mandy Ankers as Wardrobe Supervisor.
Dave Wilkins was Sound Designer, followed later in the year by Mike Berry.
The Laser show was designed and operated by Andy Shaw and Steve Playford.
By mid 1986 Judy Walker had joined as ASM.
At the end of 1986 Marc Vince took over as Company Manager (replacing Peter Thorne, who had left to appear in pantomime)
During 1986 the show played 47 weeks. The touring list was:
HANLEY, Theatre Royal
SHEFFIELD, Crucible
LEWISHAM, Concert Hall
RICHMOND, Theatre
NOTTINGHAM, Theatre Royal
GUILDFORD, Yvonne Arnaud
STOCKPORT, Davenport
WIMBLEDON, Theatre
NOTTINGHAM, Theatre Royal
READING, Hexagon
BLACKPOOL, Grand
BIRMINGHAM, Alexandra
WIMBLEDON, Theatre
ABERDEEN, Capital
GLASGOW, Pavilion
EDINBURGH, Playhouse
HILLINGDON, Beck
HASTINGS, Pavilion
BRIGHTON, The Dome
MANCHESTER, Palace
DUNDEE, Repertory
LEEDS, Grand
POOLE, Towngate
BRISTOL, Hippodrome
DERBY, Playhouse
STEVENAGE, Gordon Craig
KENTISH TOWN, Town & Country Club
HANLEY, Theatre Royal
BIRNMINGHAM, Hippodrome
BRIGHTON, The Dome
LIVERPOOL, Empire
BRADFORD, Alhambra
RICHMOND, Theatre
CROYDON, Ashcroft
CATFORD, Lewisham Theatre
BATH, Theatre Royal
BLACKPOOL, Grand
OXFORD, Apollo
STOCKPORT, Davenport
CHICHESTER, Festival
WIMBLEDON, Theatre
WOLVERHAMPTON, Grand
MANCHESTER, Apollo (Wk 1)
THE 1987 TOUR
The tour was doing excellent business throughout the country. Its success was phenomenal, and prompted an offer from a West End Theatre. But Richard O’Brien refused permission. He said he disliked the production - it was “too vulgar”. In an interview in “Time Out” he described it as “amateur – the entire cast doing nothing but commenting on the action and looking up each other’s frocks and touching each other up. There’s no excitement. No danger”. He also absolutely hated the lasers.
In spite of Richard O’Brien’s criticism the show continued to break box office records everywhere. (And - since he was collecting 10% of the phenomenal weekly takings –he made no further complaints about the tour. It was an open secret that Richard O’Brien was trying to raise backing to take his own production of “Rocky” into the West End.) Thus the KMT/Hanley tour was able to continue, provided it never had four consecutive empty weeks.
The 1987 cast included:
Narrator John North
Peter Thorne
Marc Seymour
Frank’n’Furter Bobby Bannerman
Jonathan Kiley
Mark Turnbull
Riff-Raff Paul Critchlow
Brad Majors Christopher Marlowe
Andrew Ryan
Craig Deegan
Janet Weiss Julia Howson
Julie Faye
Claire Callaghan
Rocky Horror Jean-Paul Orr
Magenta Daliah Wood
Julie Fox
Columbia Lorinda King
Janet Burgis
Eddie Marc Seymour
Dr Scott Mark Turnbull
Roger John Lee
Ghouls Judy Walker, Mark Diamond, Julie Fox
Paul Cottingham, Sue Cotter, Janet Burgis
Musical Director: Malcolm Sircom
Kevin Street
Dates played in 1987
MANCHESTER, Apollo (Wk 2)
SCARBOROUGH, Apollo
PRESTON, Charter
LEAMINGTON, Royal Spa
HALIFAX, Civic
RICHMOND, Theatre
NOTTINGHAM, Theatre Royal
HANLEY, Theatre Royal
PORTSMOUTH, Guildhall
DARLINGTON, Civic
STOCKPORT, Davenport
SWINDON, Wyvern
WINCHESTER, Theatre Royal
WIMBLEDON, Theatre
DARTFORD, Orchard
CAMBRIDGE, Arts
HACKNEY, Empire
LIVERPOOL, Empire
HANLEY, Theatre Royal
BLACKPOOL, Grand
SWANSEA, Grand
NORTHAMPTON, Derngate
READING, Hexagon
BIRMINGHAM, Hippodrome
LEEDS, Grand
SOUTHSEA, King’s
CROYDON, Ashcroft
MANCHESTER, Palace
BROMLEY, Churchill
ISRAEL – 3 weeks
PETERBOROUGH, Key (2 weeks)
SOUTHAMPTON, Mayflower
BOLTON, Sports Centre
HARLOW, Playhouse
RICHMOND, Theatre
EDINBURGH, King’s
HULL, New
BRIGHTON, The Dome
CATFORD, Lewisham Theatre
WIMBLEDON, Theatre
HATFIELD, Forum
LINCOLN, The Ritz
BLACKPOOL, Grand
OXFORD, Apollo
BRADFORD, Alhambra
BRISTOL, Hippodrome
NOTTINGHAM, Theatre Royal
ROCKY IN ISRAEL
One of the peculiarities of the 1987 touring schedule was the listing: Manchester, Bromley, Tel-Aviv, Peterborough! “Rocky” was booked for three weeks in Israel. This didn’t count as part of the UK tour, and although Israel wanted the show for longer, it was still not possible to miss more than four weeks in the UK. The Israeli rights were not held by Richard O’Brien – so this was a quite separate venture from the main tour.
The cast for the Tel-Aviv in July 1987 was:
Narrator Peter Thorne
Frank’n’Furter Jonathan Kiley
Riff-Raff Paul Critchlow
Brad Majors Andrew Ryan
Janet Weiss Julie Faye
Rocky Horror Jean-Paul Orr
Magenta Julie Fox
Columbia Janet Burgis
Eddie Marc Seymour
Dr Scott Mark Turnbull
Ghouls Judy Walker, Paul Cottingham
Musical Director: Malcolm Sircom
The show played the Cinerama in Tel-Aviv. This was a large circular
building used chiefly as a disco. The show was billed to start at 9pm. The earliest it ever started was 9.45 – and one night it didn’t start till 10.15. On the Saturday nights there was a midnight matinee – but the first show was still running as midnight struck. The Israelis seem to care little for timing.
Because the weather was so hot – Israel in August! – the cast (and population!) would tend to do as little as possible in the daytime and then spend all night wining and dining in the beachfront cafes and bars. The cast had a wonderful time: a trip to Jerusalem and to Bethlehem; a trip to Masada and a swim in the Dead Sea. The show spent two weeks playing in the Cinerama and then a few further performances in Haifa and one in an open-air theatre on the shores of Lake Galilee. (The week after this the cast was in Peterborough!)
Some photo memories of Israel:
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THE 1988 TOUR
The latter half of 1987 saw problems at the Theatre Royal, Hanley. There were accusations of fraud and mis-management. Paul Barnard was dismissed for alleged VAT irregularities. The Chairman of the Hanley Board, Charles Deacon, took over the day-to-day management of the “Rocky” tour.
He wanted to put his own mark on the show – and insisted on a number of changes to the artistic side of the show. (Amongst these were an “Egg” out of which Rocky was born, and a statue of the Venus de Milo used for various sex gags, and a running gag of an offstage cat.) The Director and choreographer were not happy with some of these changes. Charles Deacon also insisted on casting the show himself without consultation with the artistic team. The KMT side of the partnership were unhappy with some of his actions and gradually the atmosphere was souring.
At the same time Richard O’Brien announced his own production for the West End. (somewhat hypocritically including lasers ) When a show plays the West End it is customary to have a “barring” clause preventing any other performances within a 50 mile radius of London. This meant the KMT/Hanley “Rocky” was effectively barred from half its theatres and still subject to the “four empty weeks and you’re finished” rule.
The decision was inevitable. The “Rocky” tour would have to end. The final week was at Hanley – the week of 6th August 1988.
The cast for the 1988 tour was:
Narrator Marc Seymour
Frank’n’Furter Mark Turnbull
Riff-Raff Paul Critchlow
Brad Majors Craig Deegan
Janet Weiss Claire Callaghan
Sue Cotter
Rocky Horror Jean-Paul Orr
David Ian (last few weeks only)
Magenta Julie Fox
Columbia Lorinda King
Eddie Paul Cottingham
Dr Scott Roger John-Lee
Ghouls Judy Walker, Philippa Blake, Marc Vince
The stage management team remained Marc Vince, Sarah Bourne, Judy Walker and Mandy Ankers. Mike Berry remained on sound and Andy Shaw on lasers.
The 1988 Touring dates were:
CHELTENHAM, Everyman
HANLEY, Theatre Royal
ST HELENS, Theatre Royal
BILLINGHAM, Forum
CHICHESTER, Festival
BATH, Theatre Royal
SCARBOROUGH, Futurist
EASTBOURNE, Devonshire Park
HALIFAX, Civic
GLASGOW, Pavilion
LIVERPOOL, Empire
WOLVERHAMPTON, Grand
BOURNEMOUTH, Pavilion
STOCKPORT, Davenport
NORWICH, Theatre Royal,
AYR, Gaiety
WIMBLEDON, Theatre
BIRMINGHAM, Hippodrome
EDINBURGH, Playhouse
CROYDON, Ashcroft
BRISTOL, Hippodrome
HULL, New
MANCHESTER, Palace
NOTTINGHAM, Royal Concert Hall
BLACKPOOL, North Pier
LEEDS, Grand
SOUTHAMPTON, Mayflower
SOUTHEND, Cliffs Pavilion
SWANSEA, Grand
HANLEY, Theatre Royal
And so, the sensational KMT/Hanley “Rocky Horror Show” ended its phenomenal run. The last week at Hanley was a wonderful series of parties. Fans came from all over the country. It is still remembered by very many fans as one of the greatest theatrical experiences of their lives. (One particular fan, Dawn Thorpe, had seen the show over 300 times and had even travelled to Israel for the show).
1989: ROCKY REBORN FOR EUROPEAN TOUR
A year passed. Some strange things were going on at Hanley. Charles Deacon was now accused of financial misbehaviour and was facing a court hearing. Paul Barnard, reportedly innocent of all earlier charges against him, re-appeared as the managing director of a German company called Panda Productions based in Dusseldorff.
He announced he had negotiated the rights and funding for a major European tour of RHS. He approached the KMT to re-assemble the “old team” and to re-stage “Rocky” in all its proper glory and to tour it to major European theatres.
Everything was done properly. The artists were engaged on official Equity touring contracts. A large sum of money was deposited with Equity – enough to cover two weeks’ money in lieu of notice plus air-fares home from the furthest point in Europe for every member of the cast. This was a safety-net in case anything should go wrong with the tour. The tour previewed in Hannover on 28 June 1989.
The European cast was:
Narrator Peter Thorne
Frank’n’Furter Jonathan Kiley
Riff-Raff Andrew Ryan
(alternate) Nicholas Mead
Brad Majors Christopher Marlowe
(alternate) Geoffrey Stevens
Janet Weiss Amanda Nolan
(alternate) Joanne Robertson
Rocky Horror Adam Caine
Magenta Alison Pollard
(alternate) Jacqui Johns
Columbia Samantha Carr
Eddie/Dr Scott Marc Seymour
Musical Director: Phil Waddington
For the European Tour the Company Manager was Jackie Dook, the Stage Manager, Mark Sherwood, the DSM Jerry Gunn, and the ASM Gareth Tyrrell.
Mandy Ankers was in charge of Wardrobe.
Sound was by Mike Berry, Lasers by Andy Shaw, and Lighting by Saul Hopwood.
Sadly, the production rapidly fell apart. Despite excellent previews in Hannover , good attendances in Berlin and a sell-out in Munich, things started to go wrong.
Paul Barnard quarrelled with the German booking agent, Wolfgang Bocksch, and cancelled the remaining dates. He announced he would book his own dates and would “go it alone”.
New dates and cities were scheduled at very short notice. Far too often the show would be cancelled at the last minute because Paul Barnard had quarrelled with the theatre owners. He would then transfer it to some new venue at a few days’ notice with no advance publicity. His behaviour was leading to disastrous business consequences.
Despite his irrational behaviour and peculiar mood swings, the cast were determined to make the best of it. The shows – when they managed to be performed – were very well received, and the audiences very enthusiastic. The tour ended a fortnight earlier than planned. Paul Barnard claimed the cast were in breach of contract for refusing to perform some last minute date he had organised. Equity supported the cast, but Paul Barnard refused to pay them and “sacked” them all by sending them home early. (The more likely reason for this was that Paul Barnard had run out of money and could not afford to pay the wages.) Fortunately Equity was still holding the original money deposited as a sign of good faith, so everyone was paid in full. It was an unpleasant end, but the cast had been resilient enough to cope with it and remember the better parts of the experience.
The European Tour schedule was:
HANNOVER, Aegi Theater (7 performances)
BERLIN, Freivolksbuhne (6 performances)
SCHEVENINGEN, Circus (10 performances)
ANTWERP, Arenberg Theatre (17 performances)
MUNICH, Museumsaal (4 performances)
HEERLEN (2 performances)
UTRECHT (2 performances)
ROTTERDAM (3 performances)
TILBURG (1 performance)
BRUSSELS, Circus (5 performances)
OSTEND, Casino (2 performances)
The last performance was on 17 October
Paul wanted to renew the tour in 1990, but the KMT said no. This was the last of the amazing series of Rocky performances. The European tour has been disorganised, but the cast had survived it all but – enough was enough.
WHO PLAYED WHAT AND WHEN
A TIMELINE OF CAST MEMBERS
NARRATORS
Vivyan Ellacott 1983, 1984
Peter Beadle 1984, 1985
Antony Mayne 1985
Ian Gardiner 1985
Peter Thorne 1986, 1987, 1989 (Europe)
John North 1987
Marc Seymour 1988
FRANK’n’FURTER
Jeffrey Longmore 1983,1984, 1985
Richard Kates 1985
David Dale 1985
Bobby Crush 1986
Cameron Stuart 1986
Jonathan Kiley 1986, 1987, 1989 (Europe)
Bobby Bannerman 1987
Mark Turnbull 1988
RIFF-RAFF
Neil Merryweather 1983
Matthew Ryan 1984
Christopher Channing 1984
Keith Burns 1985
Paul Kerryson 1985
Kinny Gardiner 1986
Paul Critchlow 1986,1987, 1988
Andrew Ryan 1989 (Europe)
BRAD MAJORS
Owen Whittaker 1983
Stephen Fischer 1984
Christopher Marlowe 1984, 1985, 1986,1987, 1989(Europe)
Graeme Smith 1986
Andrew Ryan 1987
Craig Deegan 1987, 1988
JANET WEISS
Shealagh Dennis 1983
Sally Ann Triplett 1984
Julia Howson 1984, 1985, 1987
Andrea Milton 1985
Samantha O’Brien 1985
Grainee Renihan 1985
Karyn O’Neill 1986
Jayne Moore 1986
Julie Faye 1987
Claire Callaghan 1987, 1988
Amanda Nolan 1989 (Europe)
ROCKY
Simon Hayward 1983
Stephen J Dean 1984, 1985
Philip Fry 1985
Mark Hadigan 1985
Bryan Lawrence 1985
David Ian 1986, 1988
Jean-Paul Orr 1987, 1988
Adam Caine 1989 (Europe)
MAGENTA
Elisa Tebith 1984
Caroline Reed 1984
Judith Eyre 1985
Elisa Tebith 1986
Adeen Fogle 1986
Daliah Wood 1986, 1987
Julie Fox 1987, 1988
Alison Pollard 1989 (Europe)
COLUMBIA
Loraine Porter 1983, 1984
Alison Ruffelle 1984, 1985
Deirdre Forrest 1985
Julie Faye 1986
Lorinda King 1987, 1988
Janet Burgis 1987
Samantha Carr 1989 (Europe)
EDDIE/DR SCOTT
Jeff Pirie 1983, 1984
Barry McKenna 1985
Desmond Barrit 1985
James Head 1985
Marc Seymour 1987, 1989 (Europe)
EDDIE (Only)
Simon Fox 1986
Andrew Ryan 1986
Marc Seymour 1987
Paul Cottingham 1988
DR SCOTT (Only)
Mark Turnbull 1986, 1987
Patrick French 1986
Roger John Lee 1988
GHOULS
Mark Bajer 1983,1984
Marc Irwin 1983
Sandy McLauchlan 1983
